Hurray for Made in Italy! Or Sigmund Freud at the Sanremo Music Festival
Anno:
2024
Tipologia prodotto:
Articolo in Rivista
Tipologia ANVUR:
Articolo su rivista
Lingua:
Inglese
Formato:
Elettronico
Referee:
Sì
Nome rivista:
Italica
ISSN Rivista:
0021-3020
N° Volume:
101
Numero o Fascicolo:
4
Intervallo pagine:
518-534
Parole chiave:
Freud; Rosa Chemical; Renato Zero; Giorgia Meloni
Breve descrizione dei contenuti:
Can we still claim, through a Freudian lens, that social life is based
on the sublimation of the sexual, and that this very renunciation causes a
structural neurotic discomfort of humans in society? Freud also argued that
neurosis is the opposite of perversion. After the sexual revolution, in late capi-
talist societies where the repressive imperative has been replaced by the impera-
tive of enjoyment, where biopolitics has evolved into a pharmacopornographic
regime, can we still call ourselves neurotic? Or can we say we are only now
perverse? Are we no longer repressed but perverse, and therefore we are free?
Are we no longer repressed but perverse, and for this very reason, we are not
free? Or simply, as pacifying sex-positive rhetoric leads us to think, “for us,”
the sexual is no longer a political issue? In this article, singer Rosa Chemical’s
performance at the 2023 edition of the Sanremo Music Festival becomes an
opportunity to try to respond to this inquiry, while the most right-wing govern-
ment in republican history is in power in Italy and anti-gender rhetoric has
gained a hegemonic position in the Italian political debate.